- Magic bullet looks after effects 2014 full#
- Magic bullet looks after effects 2014 pro#
- Magic bullet looks after effects 2014 license#
- Magic bullet looks after effects 2014 professional#
- Magic bullet looks after effects 2014 free#
Both Secondary and Master controls include the above controls, except that Secondary is missing the hue, saturation and lightness (HSL) controls. The Primary category includes an exposure control for overall lightening and darkening of the footage a density control, which acts as a basic contrast a three‑way control for altering the tone and lightness of the shadows, mid-tone and highlights a saturation control a circular control for hue and saturation a circular control for lightness of each colour range, and a bypass control. Colorista 2 is effectively three instances of Colorista v1 in a single plug‑in, divided into Primary, Secondary and Master correction categories, with some extra tools added to each category.
Magic bullet looks after effects 2014 free#
Colorista 2 is much more advanced, and for backward compatibility purposes, v1 comes free with Colorista 2, so you can see the progress for yourself. The FeaturesĬolorista v1's relatively basic feature set required the user to plug in lots of instances to handle secondary corrections and the like. After a long wait, though, here's Colorista 2 to shake things up a little. Alongside the inclusion of the ProRes editing codec, Color is one of those elements that makes FCP great value and very much a complete package.
Magic bullet looks after effects 2014 pro#
In short, as someone who primarily uses Adobe Premiere Pro and Adobe After Effects, I've always been jealous of Apple Color, ever since Apple bought the premium colour‑grading software and started giving it away with Final Cut Studio. The first version of Colorista only included a Lift/Gamma/Gain control, white balance, saturation, exposure and a single mask (for isolating or excluding an area of correction) called 'Power mask', meaning that carrying out secondaries relied exclusively on using masks and multiple instances of the plug‑in, with no 'keying' available. Though it has a nice enough RGB parade scope and a good set of colour tools, it can't really be used for targeted secondary correction. Magic Bullet already make Looks (see 'Magic Bullet Looks' box), which is less for accurate colour correction and secondary grading and more for creating a 'big look', complete with lens flares, vignettes and spot exposures.
Magic bullet looks after effects 2014 professional#
As good as the software is, with professional features like LUTs (Look Up Tables of colour information for matching particular broadcast standards), I always found isolating secondaries to be difficult and quite slow.
Magic bullet looks after effects 2014 license#
This doesn't help users who want to have secondaries directly in the timeline in Premiere, as they will have to purchase a Premiere license separately and will still have to open a separate window to handle secondary colour correction.
Magic bullet looks after effects 2014 full#
Color Finesse allows primary colour correction only in a simplified interface, or full secondaries and scopes in its own interface. Owners of Production Premium CS5 or Master Collection CS5, both of which include After Effects, will have a bundled copy of Synthetic Aperture Color Finesse 3 LE for After Effects. Of course, this option is expensive and limited to very powerful computers only, so it's not for everyone. Mac Pro users with sufficient dedication to grading can now purchase Blackmagic DaVinci Resolve as a software‑only version for $999, a far cry from the previous control‑surface version, which cost nearly $30,000. If you want correction in the timeline you could use the simple colour corrector, but then you don't have the same array of options for secondary colour correction (that applied to specific colours or areas), so in‑depth work still needs to be sent to Color and rendered. But Color is a separate program, meaning that you have to send your edited sequence to Color and render files back into your FCP timeline when you're done, also known as a 'round trip'. To get an idea of exactly where Colorista 2 fits in the market, and what it's up against, let's briefly examine the competition.įor Final Cut Pro users, Apple Colour is included and can handle the bulk of grading duties. Magic Bullet Colorista 2, available from Red Giant Software, is a colour correction plug‑in for Adobe Premiere Pro CS3, 4 and 5 Adobe After Effects CS3,4 and 5 and Apple Final Cut Pro. With so many different bundled and third‑party colour correction plug‑ins available, do Colorista 2's new features offer anything special?
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